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Why: The Rennie Mackintosh typeface which was created in 1993 by George R. Known as: "So far over the top that the top is a microscopic speck in its rearview mirror" said HitFlix and its accuracy almost hurts. However: It was a shock to the hardcore fans of the show, when a typeface expert noticed that the closing credits were using the Arial typeface which wasn't invented until 1982. This was the beginning of a long debate on the accuracy of the series' art direction and design. This sans-serif typeface in red/white combination is part of the show's carefully designed production which has been constantly praised for its obsessive re-creation of the style of its times.
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Why: Elegant yet daring, the font of this critically acclaimed period drama series is a variation of what most people commonly know as Helvetica. Known as: "An adult drama of introspection and the inconvenience of modernity in a man's world" according to the San Francisco Chronicle Nevertheless the main title sequence for HBO’s ground-breaking fantasy series was the winner of the Emmy Award for Outstanding Title Design in 2011. Was it obvious: This trend is well documented in a Flickr group, satirized in an epic video by Cheshire Dave (which you can enjoy at the bottom of the page) and mocked by Kirby Ferguson of Goodie Bag. Elegant yet overused, Carol Twombly's beautiful digitization of the classic Roman lettering is seen on countless posters, billboards and ads most commonly for films in the dramatic blockbuster category so it fits the show's concept quite well.
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Why: Set on the fictional continents of Westeros and Essos at the end of a decade-long summer, the series interweaves several plot lines unlike the series logo which is customized Trajan. Known as: The most talked about show on earth (at least this is what Guardian thinks and we love Guardian, so.) So please, get your remote control ready! Sp, with Emmy season almost upon us we decided to dive into the world of televised letterform. These are the most unforgettable, remarkable, recognizable brands of TV’s most precious legacies of our times. As nothing is left to chance in the war of the ratings, a good designer uses fonts and ideas, colours and concepts to provide the underlying basis for what is about to happen.
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Some can even argue that in a deeply subconscious level, TV logos, and the typefaces that are used to create them, invoke feelings attached to the spirit of the whole production. The carefully chosen fonts epitomize the spirit of the show that the viewer is about to experience in all its HD glory. vassal houses).They are definitely a marketing tool and in the best of cases a piece of typographic art. But in this case, it’s not the overt challenge to competitors, but the revulsion inspired in clients (i.e. Like the Targaryen lesson above, the wrong corporate image can hurt your business. But you should also be mindful of the perception others have of you. It’s all teeth and claws and terror House Bolton – “Our blades are sharp”Įvery corporate culture is a different, and there’s no harm in being proud of yours. If you want to strike fear in the hearts of your competition, a lion is certainly a great choice. For instance, the paramilitary contractor Academi (formerly Blackwater) uses the innocuous slogan “Elite Training. If what your organization does is kill people with flaming dragons, you might want to soften that message a little bit. There’s such a thing as being too direct. The Stark sigil is a dire wolf, for two simple reasons: dire wolves are native to the North, which the Starks rule and dire wolves are freakin’ awesome. Lesser houses hold lands within the kingdoms, as well. Each of these is ruled by a “Great House,” or what we would call noble families. Game Of Thrones he fictional continent of Westeros, from the hit A Song of Ice and Fire fantasy novels (and I guess there’s a TV show or something, too?), is divided into seven kingdoms.